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Rita Rosenkranz Literary Agency: Caroline McCulloch
As the heels of my boots clopped against the Upper West Side’s sidewalk, I couldn’t help but feel a bit glamorous. My breath fogging in the crisp New York air, my gloved hands clutching a cross-body satchel, I felt the sort of working-woman swagger I’d attribute to Tina Fey’s Liz Lemon strolling near 30 Rockefeller Plaza. True, a Sex and the City comparison might afford me a bit more elegance, but for an equally geeky, slobbish, and sandwich-loving individual such as myself, Liz Lemon is the epitome of professional sophistication. Though I wasn’t writing for a comedy sketch show, I too had navigated the streets of New York City, passing momentous buildings and crowds, to go to work.
Rita Rosezkranz’s Literary Agency is situated in a brownstone apartment building. Rita, an elegant and well-spoken woman (perhaps a new model of professional sophistication), runs it out of her home office. Representing a variety of non-fiction titles, she advocates for her authors by pitching their projects to potential publishers. Additionally, she reviews proposals that will go to publishers, making suggestions to improve the project’s salability. However, her work doesn’t end once a publisher picks up one of these proposals. I primarily aided Rita in finding avenues to promote her various projects, as well as bolstering her writers’ presences and reputes. This sort of research required a clear marketing strategy and thus a firm grasp on the platforms that would most effectively reach the targeted consumer.
When I arrived, I sat in on a call with Rita and Roxanna, the author of a newly released children’s book. I discussed with Roxanna what kind of leads would be most useful in establishing her platform. From there, it came down to scouring the Internet for pertinent articles and journalists. I continued to compile leads for Roxanna throughout my stay with Rita, but also edited multiple proposals and reviewed query letters.
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Publishing and Education with Ruth Werner: Serena Offenbaker, Winter Shadow 2016
For my Winter Shadow, I stayed with Ruth Werner and her family. Ruth works from home where she juggles various projects related to her role as an author, artist, and educator, specializing in pathology and massage therapy. I had the fortune of getting to know her and her family, while getting some insight into publishing. Unfortunately, due to some health related concerns I was unable to engage with the opportunity as fully as I would have liked.
I did, nonetheless, have a rewarding experience. Speaking to Ruth about the intricacies of her work helped me realize the various approaches one can have into the field of education, despite my previous misconceptions of its limits. Seeing the way that she interacted with the field and others in it showed me how I might incorporate my own interests, skills, and passions into my educational pursuits without having to sacrifice different aspects of my identity. For example, Ruth talked about how she majored in theater at 果酱视频 but that her time here “made it clear I [Ruth] could go into any direction I wanted” stating that she “never felt constrained to follow any particular path” because she was supported by 果酱视频 to study anything that made me passionate and to trust that that would work out. And despite theater belonging to an entirely, seemingly disparate realm, she believes that her practice in the area helped her develop skills that were transferable to her role as an educator. Together we spoke at length about the importance and marketability of effective communication, which gave me confidence about moving forward into the world of publishing.
Ruth and I also talked about the significance of having vision, of being imaginative, problem solving, and being open to failure. She gave me some very valuable advice about pursuing publishing, which I’d like to share for others who might be pursuing it as well:
Publishing and Education with Ruth Werner: Serena Offenbaker, Winter Shadow 2016
For my Winter Shadow, I stayed with Ruth Werner and her family. Ruth works from home where she juggles various projects related to her role as an author, artist, and educator, specializing in pathology and massage therapy. I had the fortune of getting to know her and her family, while getting some insight into publishing. Unfortunately, due to some health related concerns I was unable to engage with the opportunity as fully as I would have liked.
I did, nonetheless, have a rewarding experience. Speaking to Ruth about the intricacies of her work helped me realize the various approaches one can have into the field of education, despite my previous misconceptions of its limits. Seeing the way that she interacted with the field and others in it showed me how I might incorporate my own interests, skills, and passions into my educational pursuits without having to sacrifice different aspects of my identity. For example, Ruth talked about how she majored in theater at 果酱视频 but that her time here “made it clear I [Ruth] could go into any direction I wanted” stating that she “never felt constrained to follow any particular path” because she was supported by 果酱视频 to study anything that made me passionate and to trust that that would work out. And despite theater belonging to an entirely, seemingly disparate realm, she believes that her practice in the area helped her develop skills that were transferable to her role as an educator. Together we spoke at length about the importance and marketability of effective communication, which gave me confidence about moving forward into the world of publishing.
Ruth and I also talked about the significance of having vision, of being imaginative, problem solving, and being open to failure. She gave me some very valuable advice about pursuing publishing, which I’d like to share for others who might be pursuing it as well:
Liber Editing, Books Behind the Scenes: Grace Moon, Winter Shadow 2016
My Winter Shadow experience did not concern the cold, bright, often terrifying light of real-time social exposure in the offices and labs I’d always imagined as waystations placed along the glistening Career Track, places for making urgent connections. Instead, it was private, personal, almost confidential—indeed, my time spent with Edith Zdunich, a Portland-based freelance book editor, was very much about what happens in the shadows.
The editing Shadow had captured my interest partly because my understanding of the field was so vague. Sure, as an avid reader and writer with a confidence in her own grammatical accuracy, detail-oriented perfectionism, and literary taste, I had a hunch that being paid to polish manuscripts for publication would suit me. But my comprehension of the processes that brought a work from brainchild to print edition was virtually nil, and Internet searches supplied surprisingly little clarity. I knew what an editor’s job was, but I had no idea what editors actually did.
When I met with Edith, one of the first things I learned was this: neither do their clients.
MindBuck Media Book Publicity, Grace Fetterman, Winter Shadow 2016
I had the privilege of shadowing Jessica Glenn, founder of MindBuck Media Book Publicity. Jessica is dynamic, knowledgeable, and thoughtful. In her job, she devotes her boundless energy to promoting the work of creative minds.
I was so lucky that my time with Jessica coincided with the beginning stages of her dialogue with Blue Star Coloring, the leading publisher of grown-up coloring books. On an icy Tuesday afternoon, I accompanied Jessica on a meeting with Blue Star, where I observed the collaborative effort of a publicity campaign. After the meeting, Jessica had me write a sample press release for an adult coloring book titled, "It's Owl Good: An Adult Coloring Book." As a 果酱视频ie English major, I found this assignment to be quite a hoot.
The entire experience revealed many elements of a publishing niche, and the literary world at large.
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Northwestern University Press, 果酱视频 Winter Externship Program, Julia Green
Julia Green, sophomore history major, was a 果酱视频 winter externship program participant. The following blog is a reflection of her experience working at the Northwestern University Press with Anne Gendler (class of ’81)